From the Schwetzingen Festival, May 1991
Aria for low bass written by Mozart for the bass Ludwig Fischer that demands an extraordinary technical
Gottlieb Stephanie the Younger - libretto
Stuttgart Chorus
Gianluigi Gelmetti - conductor
Wolfgang Amadeus Mozart - Die Entführung aus dem Serail (The Abduction from the Seraglio)
ACT III "Oh, wie will ich triumphieren"
Click here to watch the complete Opera Die Entführung aus dem Serail: https://youtu.be/C1nPVJ22xts
Subscribe to EuroArts: https://goo.gl/jrui3M
Die Entführung aus dem Serail (The Abduction from the Seraglio) is one of Mozart’s five great repertoire operas alongside Le nozze di Figaro, Don Giovanni, Cosi fan tutte and Die Zauberflöte. A typical ‘Singspiel’, a form in which all the dialogue is spoken rather than sung, it was a great success during Mozart’s lifetime and to this day has not lost any of its magic. Mozart was twenty-six when he wrote this opera, which was commissioned by a Viennese Theatre and premiered in 1782.
Aria for low bass written by Mozart for the bass Ludwig Fischer that demands an extraordinary technical
Gottlieb Stephanie the Younger - libretto
Stuttgart Chorus
Gianluigi Gelmetti - conductor
Wolfgang Amadeus Mozart - Die Entführung aus dem Serail (The Abduction from the Seraglio)
ACT III "Oh, wie will ich triumphieren"
Click here to watch the complete Opera Die Entführung aus dem Serail: https://youtu.be/C1nPVJ22xts
Subscribe to EuroArts: https://goo.gl/jrui3M
Die Entführung aus dem Serail (The Abduction from the Seraglio) is one of Mozart’s five great repertoire operas alongside Le nozze di Figaro, Don Giovanni, Cosi fan tutte and Die Zauberflöte. A typical ‘Singspiel’, a form in which all the dialogue is spoken rather than sung, it was a great success during Mozart’s lifetime and to this day has not lost any of its magic. Mozart was twenty-six when he wrote this opera, which was commissioned by a Viennese Theatre and premiered in 1782.
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